Like me, you’ve likely seen ads for an editing product called Grammarly. This weekend, I took some time to research what kind of services the product offers, and after a lot of reading, I can definitely see some benefits, especially for non-native English speakers and those writing short pieces (e.g., blog posts, articles, etc.).
I don’t, however, think that Grammarly could replace a real-life editor for a more complicated projects (e.g., a novel, whether fiction or nonfiction). There are many reasons for this, including catching issues with continuity and point of view, and it turns out I’m not alone …
I’ve spent the last several years helping all kinds of authors—from brand-new to highly experienced—work through the intensive process of creating a book that is ready for publication. It’s been incredible to see the progress of these projects, and I sincerely believe I have one of the best jobs in the world!
If you’ve been wondering about the process—how to go from an idea through to a finished product—maybe 2019 is the year?
If so, self-publishing is one option to consider:
“Some people do come to self-publishing saying ‘I know this is right for me, I’m excited about it, I want to get my hands dirty and figure all this stuff out,’ and for some people it’s very much a backup,” Brooke Warner, co-founder of She Writes Press, explains. Although it’s perfectly fine to choose self-publishing after querying your book in the traditional publishing market, you shouldn’t go in thinking “Well, I couldn’t get an agent, so it looks like self-publishing is my only option.” Self-publishing should always be something you actively decide to do.
“Every author in the history of the written word has been there: Staring at a blank page, unable to break through the freezing fear of putting pen to paper. This writer’s block might go on for hours, days, or years, and even the most talented aren’t immune. Join Stephanie and Angela as they discuss strategies to help you tear down that wall.”
Source: Editor’s Corner Podcast, Dog Ear Publishing
“Writing children’s books: How hard could it be? The truth is that because the typical children’s book ranges from thirty-two pages (picture books) to eighty pages (middle readers), it can actually be more challenging to write. Why? Because there is less content with which to communicate, meaning every word counts. Our discussion today includes the basics of writing for children: creating story and character arcs in a smaller spaces; why eye-catching, complimentary artwork is so important; why to avoid rhyming; and much, much more!”
Source: Editor’s Corner Podcast: Writing Children’s Books
“If you’ve ever slogged through a complicated novel, reading and rereading sentences while trying to get a grip on the author’s message, then you already know how readability can affect your reading experience. For an author, finding the balance between what to say and how to say it can be difficult. Join Stephanie and Angela as they tackle the topics of readability and reading level, including what they mean and why they matter.”
Source: Editor’s Corner Podcast: Readability and Reading Level
“Over the past decade, romance novels have been enjoying an enormous revival, and this time around, the heroines are fierce, the heroes are far more swoon-worthy, and the plots are—gasp!—intelligent. Today, Stephanie and Angela discuss the fundamentals of writing romance and discover that good writing is good writing, no matter the genre!”
Source: Editor’s Corner Podcast: The Basics of Writing Romance Novels
“When a loved one dies, so much is left behind, and sometimes, in the midst of mementos and other remembrances, there’s a manuscript tucked away. Maybe it’s complete, or maybe it’s only halfway there. Whatever the case, finding those papers is like discovering a treasure: a piece of someone we’ve lost that can bring them back to us, at least for a little while.”
Source: Editor’s Corner: Publishing Posthumously