I’ve spent the last several years helping all kinds of authors—from brand-new to highly experienced—work through the intensive process of creating a book that is ready for publication. It’s been incredible to see the progress of these projects, and I sincerely believe I have one of the best jobs in the world!
If you’ve been wondering about the process—how to go from an idea through to a finished product—maybe 2019 is the year?
If so, self-publishing is one option to consider:
“Some people do come to self-publishing saying ‘I know this is right for me, I’m excited about it, I want to get my hands dirty and figure all this stuff out,’ and for some people it’s very much a backup,” Brooke Warner, co-founder of She Writes Press, explains. Although it’s perfectly fine to choose self-publishing after querying your book in the traditional publishing market, you shouldn’t go in thinking “Well, I couldn’t get an agent, so it looks like self-publishing is my only option.” Self-publishing should always be something you actively decide to do.
Because I still double-check this every single time I edit …
“Here’s the difference between lay vs. lie, along with ‘lay lie’ examples and a simple chart that breaks it all down.”
Source: Lay vs. Lie (vs. Laid) – Grammar Rules
“Forming regular plural nouns in English is a pretty simple concept, but that’s where the simplicity ends. English has so many different irregular plurals — and so many different types! There are plurals that are identical to their singular versions (sheep: sheep), plurals that change for count and noncount nouns (fish: fish, fishes), plurals that have held on to their Old English or Middle English endings (child: children), plurals that retain the endings from their source languages (criterion: criteria), a whole slew of words with multiple acceptable plurals (index: indexes, indices), and that barely scratches the surface of irregular nouns.”
Read more of the article on Copyediting.com.
“Every author in the history of the written word has been there: Staring at a blank page, unable to break through the freezing fear of putting pen to paper. This writer’s block might go on for hours, days, or years, and even the most talented aren’t immune. Join Stephanie and Angela as they discuss strategies to help you tear down that wall.”
Source: Editor’s Corner Podcast, Dog Ear Publishing
“What exactly do editors do, and more importantly, how can we help you work through the writing process? Stephanie and Angela discuss the numerous facets of editing, from mentorship and motivation to story arc and character development to revisions and citations. No matter what phase of writing you’re in—and no matter what issues you’re facing—editors are here to help!”
Click here to listen to the podcast!
“Writing children’s books: How hard could it be? The truth is that because the typical children’s book ranges from thirty-two pages (picture books) to eighty pages (middle readers), it can actually be more challenging to write. Why? Because there is less content with which to communicate, meaning every word counts. Our discussion today includes the basics of writing for children: creating story and character arcs in a smaller spaces; why eye-catching, complimentary artwork is so important; why to avoid rhyming; and much, much more!”
Source: Editor’s Corner Podcast: Writing Children’s Books
“If you’ve ever slogged through a complicated novel, reading and rereading sentences while trying to get a grip on the author’s message, then you already know how readability can affect your reading experience. For an author, finding the balance between what to say and how to say it can be difficult. Join Stephanie and Angela as they tackle the topics of readability and reading level, including what they mean and why they matter.”
Source: Editor’s Corner Podcast: Readability and Reading Level